The Rope and Blocks: A Fresh Look at Writing Development
The Rope and Blocks: A Fresh Look at Writing Development
The Rope and Blocks: A Fresh Look at Writing Development
Publihed On
August 6, 2024
Author
James Smith
Category
Content
Teaching writing is tough. Anyone who's faced a stack of student essays knows the feeling of wondering if all those grammar lessons and essay structure talks have made any difference. It's easy to get bogged down in the details and lose sight of the bigger picture.
That's why the Rope and Blocks model of writing development caught my attention. At first, I was skeptical. Another metaphor? Really? But as I dug deeper, I found myself reconsidering how I view my students' writing progress.
Here's the gist: writing is like a rope (stay with me here) made up of different strands twisted together. Each strand represents a different writing skill. At the same time, writing is also like a set of building blocks, with basic skills forming a foundation for more complex ones.
It sounds simple, maybe even obvious. But this dual perspective offers some interesting insights.
First, it acknowledges that writing isn't just a linear progression of skills. We've all had students who can craft beautiful sentences but struggle to structure an essay, or who have brilliant ideas but can't seem to get them down on paper coherently. The rope analogy helps explain this - some strands might be stronger than others.
The building blocks idea, on the other hand, reminds us that there are indeed foundational skills that students need to master. But it also suggests that these skills don't just stack neatly on top of each other. They interact and support each other in complex ways.
What I find most useful about this model is how it's changed my approach to assessing student writing. Instead of just looking for specific skills, I'm now thinking about how well students are integrating different aspects of writing. Are they using their vocabulary 'strand' to support their argument 'strand'? How well is their understanding of essay structure 'block' supporting their ability to develop ideas?
It's also given me a new language to use when talking to students about their writing. Explaining to a student that their 'ideas strand' is strong but needs to be better integrated with their 'structure strand' seems to make more sense to them than just saying their essay is disorganized.
Of course, no model is perfect. The Rope and Blocks approach doesn't solve all the challenges of teaching writing. It doesn't tell us exactly how to teach complex skills or how to motivate reluctant writers. And there's always the risk of taking the metaphor too far - we don't want to get so caught up in 'ropes' and 'blocks' that we lose sight of the actual writing.
But overall, I've found this perspective valuable. It's helped me think more holistically about writing development, and it's given me new ways to understand and explain the complexities of writing to my students.
Teaching writing is tough. Anyone who's faced a stack of student essays knows the feeling of wondering if all those grammar lessons and essay structure talks have made any difference. It's easy to get bogged down in the details and lose sight of the bigger picture.
That's why the Rope and Blocks model of writing development caught my attention. At first, I was skeptical. Another metaphor? Really? But as I dug deeper, I found myself reconsidering how I view my students' writing progress.
Here's the gist: writing is like a rope (stay with me here) made up of different strands twisted together. Each strand represents a different writing skill. At the same time, writing is also like a set of building blocks, with basic skills forming a foundation for more complex ones.
It sounds simple, maybe even obvious. But this dual perspective offers some interesting insights.
First, it acknowledges that writing isn't just a linear progression of skills. We've all had students who can craft beautiful sentences but struggle to structure an essay, or who have brilliant ideas but can't seem to get them down on paper coherently. The rope analogy helps explain this - some strands might be stronger than others.
The building blocks idea, on the other hand, reminds us that there are indeed foundational skills that students need to master. But it also suggests that these skills don't just stack neatly on top of each other. They interact and support each other in complex ways.
What I find most useful about this model is how it's changed my approach to assessing student writing. Instead of just looking for specific skills, I'm now thinking about how well students are integrating different aspects of writing. Are they using their vocabulary 'strand' to support their argument 'strand'? How well is their understanding of essay structure 'block' supporting their ability to develop ideas?
It's also given me a new language to use when talking to students about their writing. Explaining to a student that their 'ideas strand' is strong but needs to be better integrated with their 'structure strand' seems to make more sense to them than just saying their essay is disorganized.
Of course, no model is perfect. The Rope and Blocks approach doesn't solve all the challenges of teaching writing. It doesn't tell us exactly how to teach complex skills or how to motivate reluctant writers. And there's always the risk of taking the metaphor too far - we don't want to get so caught up in 'ropes' and 'blocks' that we lose sight of the actual writing.
But overall, I've found this perspective valuable. It's helped me think more holistically about writing development, and it's given me new ways to understand and explain the complexities of writing to my students.
Teaching writing is tough. Anyone who's faced a stack of student essays knows the feeling of wondering if all those grammar lessons and essay structure talks have made any difference. It's easy to get bogged down in the details and lose sight of the bigger picture.
That's why the Rope and Blocks model of writing development caught my attention. At first, I was skeptical. Another metaphor? Really? But as I dug deeper, I found myself reconsidering how I view my students' writing progress.
Here's the gist: writing is like a rope (stay with me here) made up of different strands twisted together. Each strand represents a different writing skill. At the same time, writing is also like a set of building blocks, with basic skills forming a foundation for more complex ones.
It sounds simple, maybe even obvious. But this dual perspective offers some interesting insights.
First, it acknowledges that writing isn't just a linear progression of skills. We've all had students who can craft beautiful sentences but struggle to structure an essay, or who have brilliant ideas but can't seem to get them down on paper coherently. The rope analogy helps explain this - some strands might be stronger than others.
The building blocks idea, on the other hand, reminds us that there are indeed foundational skills that students need to master. But it also suggests that these skills don't just stack neatly on top of each other. They interact and support each other in complex ways.
What I find most useful about this model is how it's changed my approach to assessing student writing. Instead of just looking for specific skills, I'm now thinking about how well students are integrating different aspects of writing. Are they using their vocabulary 'strand' to support their argument 'strand'? How well is their understanding of essay structure 'block' supporting their ability to develop ideas?
It's also given me a new language to use when talking to students about their writing. Explaining to a student that their 'ideas strand' is strong but needs to be better integrated with their 'structure strand' seems to make more sense to them than just saying their essay is disorganized.
Of course, no model is perfect. The Rope and Blocks approach doesn't solve all the challenges of teaching writing. It doesn't tell us exactly how to teach complex skills or how to motivate reluctant writers. And there's always the risk of taking the metaphor too far - we don't want to get so caught up in 'ropes' and 'blocks' that we lose sight of the actual writing.
But overall, I've found this perspective valuable. It's helped me think more holistically about writing development, and it's given me new ways to understand and explain the complexities of writing to my students.
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